Pleasant Enough

by Collin Sherman

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15:32

about

This is a foray into harsh noise, made from the unrepentant abuse of various analog synths, outboard mixers, horns, novelty instruments and other junk. I don't consider myself a noise artist per se, but the musical structures I utilize tend to be rather loose, which lends itself well to a noisy or collage effect. This album is the product of lots of experimentation with different techniques for making some truly awful sounds, lots of editing large troves of the resulting sound files, and more obsessive tweaking than one might think for something that is going to end up sounding like noise anyway. The results act as a nice steel wool to scour away the buildup of frustration and resentment that keep you up at night.

credits

released February 3, 2017

Collin Sherman: Behringer Xenyx Q802 feedback machine, Korg Monotribe, Volca Keys/Beats, Moog Sub 37, Arturia MiniBrute, alto saxophone (track 6), bombard (track 3), programmed drums (track 6), lots of pedals and software effects, gumption.

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about

Collin Sherman New York, New York

Based in New York, New York, Collin Sherman creates experimental ambient electronic music which deconstructs traditional applications of melody, rhythm and song structure. - See more at: collinsherman.com

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